- SKU: 9780719084614
- BARCODE: 9780719084614
- VENDOR: BooksCloud
The Rise of the Modern Art Market in London: 1850-1939 - Paperback
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Description
by Pamela Fletcher (Editor), Anne Helmreich (Editor)
The first study of how the art market developed in London and made the city the capital of the international trade in art.
Front Jacket
Now available in an affordable paperback edition, this investigation of the modern London art market establishes the central importance of London for the development of the modern retail market in fine art. Leading experts track the emergence and development of the structures and practices that have come to characterize the commercial art system, including the commercial art gallery, the professional dealer, the exhibition cycle and its accompanying rhetoric of press coverage and publicity, and an international network for the circulation of goods. This new commercial system involved a massive transformation of the experience of viewing art; of the relationships between artists, dealers, collectors, art objects and audiences; and of the very criteria of aesthetic value itself. Its history is thus a vital part of the history of modern art, and this anthology will be of interest to art historians as well as scholars of Victorian Studies, Museum Studies, and Social History.
Back Jacket
Now available in an affordable paperback edition, this investigation of the modern London art market establishes the central importance of London for the development of the modern retail market in fine art. Leading experts track the emergence and development of the structures and practices that have come to characterize the commercial art system, including the commercial art gallery, the professional dealer, the exhibition cycle and its accompanying rhetoric of press coverage and publicity, and an international network for the circulation of goods.
This new commercial system involved a massive transformation of the experience of viewing art; of the relationships between artists, dealers, collectors, art objects and audiences; and of the very criteria of aesthetic value itself. Its history is thus a vital part of the history of modern art, and this anthology will be of interest to art historians as well as scholars of Victorian Studies, Museum Studies, and Social History.Author Biography
Pamela Fletcher is Associate Professor of Art History at Bowdoin College
Anne Helmreich is Senior Program Officer at the Getty Foundation
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