{"product_id":"the-jew-in-the-art-of-the-italian-renaissance-hardcover","title":"The Jew in the Art of the Italian Renaissance - Hardcover","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eDana E. Katz\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eRenaissance Italy is often characterized as a place of unusual tolerance and privilege toward Jews. Unlike England, France, Germany, Spain, and Portugal, the princely courts of early modern Italy, particularly Urbino, Mantua, and Ferrara, offered economic and social prosperity to Jews. When anti-Jewish hostilities created civic tumult in this region, secular authorities promptly contained the violence.\u003c\/p\u003e \u003cp\u003eYet this written record tells only one part of the story. Pictures tell another. In \u003ci\u003eThe Jew in the Art of the Italian Renaissance\u003c\/i\u003e, Dana E. Katz reveals how Renaissance paintings and sculpture became part of a policy of tolerance that deflected violence to a symbolic status. While rulers upheld toleration legislation governing Christian-Jewish relations, they simultaneously supported artistic commissions that perpetuated violence against Jews. The economic benefits Jewish toleration supplied never outweighed the animosity toward Jews' participation in the Christian community.\u003c\/p\u003e \u003cp\u003eKatz examines how particular forms of visual representation were used to punish Jews symbolically for alleged crimes against Christianity, including host desecration, deicide, and ritual murder. The production of such imagery testifies to the distinctive Jewry policies employed in the northern Italian princedoms, republican Florence, and imperial Trent. The book provides new insights into famous masterworks by Andrea Mantegna, Paolo Uccello, and others, placing these paintings within a larger discourse that incorporates noncanonical, provincial works of art.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003eDana E. Katz teaches art history and humanities at Reed College.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 240\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.9 x 9.1 x 6.1 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e June 04, 2008\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":47457486602493,"sku":"9780812240856","price":114.03,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/3414\/0157\/files\/REUzSG41VWM2SkJ0OVdPblZtakhjZz09.webp?v=1777237878","url":"https:\/\/booktolia.com\/products\/the-jew-in-the-art-of-the-italian-renaissance-hardcover","provider":"booktolia","version":"1.0","type":"link"}