{"product_id":"the-everyday-practice-of-public-art-art-space-and-social-inclusion-paperback","title":"The Everyday Practice of Public Art: Art, Space, and Social Inclusion - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eCameron Cartiere\u003c\/b\u003e (Editor), \u003cb\u003eMartin Zebracki\u003c\/b\u003e (Editor)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eThe Everyday Practice of Public Art: Art, Space, and Social Inclusion\u003c\/em\u003e is a multidisciplinary anthology of analyses exploring the expansion of contemporary public art issues beyond the built environment. \u003c\/p\u003e\u003cp\u003eIt follows the highly successful publication \u003ci\u003eThe Practice of Public Art\u003c\/i\u003e (eds. Cartiere and Willis), and expands the analysis of the field with a broad perspective which includes practicing artists, curators, activists, writers and educators from North America, Europe and Australia, who offer divergent perspectives on the many facets of the public art process. \u003c\/p\u003e\u003cp\u003eThe collection examines the continual evolution of public art, moving beyond monuments and memorials to examine more fully the development of socially-engaged public art practice. Topics include constructing new models for developing and commissioning temporary and performance-based public artworks; understanding the challenges of a socially-engaged public art practice vs. social programming and policymaking; the social inclusiveness of public art; the radical developments in public art and social practice pedagogy; and unravelling the relationships between public artists and the communities they serve. \u003c\/p\u003e\u003cp\u003eThe Everyday Practice of Public Art offers a diverse perspective on the increasingly complex nature of artistic practice in the public realm in the twenty-first century.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eCameron Cartiere\u003c\/strong\u003e is an Associate Professor at Emily Carr University of Art + Design. She is author of \u003ci\u003eRE\/Placing Public Art\u003c\/i\u003e, co-author of the \u003ci\u003eManifesto of Possibilities: Commissioning Public Art in the Urban Environment, \u003c\/i\u003e and co-editor of \u003ci\u003eThe Practice of Public Art \u003c\/i\u003e(with Shelly Willis).\u003c\/p\u003e \u003cp\u003e\u003c\/p\u003e\u003cb\u003e \u003c\/b\u003e\u003cp\u003eMartin Zebracki is a Lecturer (Assistant Professor) in Critical Human Geography at the University of Leeds. He has published various academic articles, journal issues and book chapters on public art and social engagement. He is author of \u003ci\u003ePublic Artopia: Art in Public Space in Question\u003c\/i\u003e.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 272\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.6 x 8.9 x 5.9 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e November 19, 2015\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":47464633434365,"sku":"9781138829213","price":97.7,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/3414\/0157\/files\/u_gA6O2n9g9781138829213.webp?v=1777261511","url":"https:\/\/booktolia.com\/products\/the-everyday-practice-of-public-art-art-space-and-social-inclusion-paperback","provider":"booktolia","version":"1.0","type":"link"}