{"product_id":"sensing-justice-through-contemporary-spanish-cinema-aesthetics-politics-law-paperback","title":"Sensing Justice Through Contemporary Spanish Cinema: Aesthetics, Politics, Law - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eMónica López Lerma\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eExplores the aesthetic frames that mediate the sense(s) and experiences of justice\u003c\/strong\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eClose analysis of films such as \u003cem\u003ePan's Labyrinth, High Heels, Common Wealth, The Method, No Rest for the Wicked, Unit 7\u003c\/em\u003e\n\u003c\/li\u003e \u003cli\u003eEngages with legal theory, film studies, aesthetics, and politics\u003c\/li\u003e \u003cli\u003eApproaches law and film as multisensory, embodied practices\u003c\/li\u003e \u003cli\u003eDraws on European case studies in a field largely dominated by Anglo-American discourse\u003c\/li\u003e\n\u003c\/ul\u003e \u003cp\u003eSensing Justice examines the aesthetic frames that mediate the sensory perception and signification of law and justice in the context of 21st century Spain. What senses do these frames privilege or downgrade? What kind of subjects do they show, construct, and address? What kind of affective and ethical responses do they invite? What kind of judgments do they invite? The book addresses these questions by moving away from the focus on narrative and through a close analysis of selected contemporary Spanish films--such as \u003cem\u003ePan's Labyrinth, High Heels, Common Wealth, The Method, No Rest for the Wicked, Unit 7\u003c\/em\u003e. By creating new frames of perception and signification, the films analyzed challenge the senses of law and justice traditionally taken for granted and reconfigure them anew. Engaging with legal theory, film studies, aesthetics, and politics, Sensing Justice provides a compelling illustration of how law and justice are multisensory and embodied experiences.\u003c\/p\u003e\u003ch3\u003eBack Jacket\u003c\/h3\u003e\u003cp\u003eExplores the aesthetic frames that mediate the sense(s) and experiences of justice Sensing Justice examines the aesthetic frames that mediate the sensory perception and signification of law and justice in the context of twenty-first-century Spain. What senses do these frames privilege or downgrade? What kind of subjects do they show, construct, and address? What kind of affective and ethical responses do they invite? What kind of judgments do they invite? The book addresses these questions by moving away from the focus on narrative and through a close analysis of selected contemporary Spanish films--such as \u003ci\u003ePan's Labyrinth, High Heels, Common Wealth, The Method, No Rest for the Wicked\u003c\/i\u003e and \u003ci\u003eUnit 7\u003c\/i\u003e. By creating new frames of perception and signification, the films analyzed challenge the senses of law and justice traditionally taken for granted and reconfigure them anew. Engaging with legal theory, film studies, aesthetics, and politics, Sensing Justice provides a compelling illustration of how law and justice are multisensory and embodied experiences. Key Features: - close analysis of films such as \u003ci\u003ePan's Labyrinth, High Heels, Common Wealth, The Method, No Rest for the Wicked and Unit 7\u003c\/i\u003e - engages with legal theory, film studies, aesthetics, and politics - approaches law and film as multisensory, embodied practices - draws on European case studies in a field largely dominated by Anglo-American discourse Mónica López Lerma is Associate Professor of Spanish and Humanities at Reed College.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eMónica López Lerma is Associate Professor of Spanish and Humanities at Reed College. She holds a PhD in Comparative Literature and a Graduate Certificate in Film Studies from the University of Michigan. She is the co-editor of \u003ci\u003eRancière and Law\u003c\/i\u003e (Routledge, 2018). She was editor-in-chief of \u003ci\u003eNo-Foundations: An Interdisciplinary Journal of Law and Justice\u003c\/i\u003e from 2012 to 2017.\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 192\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.41 x 9.21 x 6.14 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e August 25, 2022\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":47457668923645,"sku":"9781474442053","price":58.21,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/3414\/0157\/files\/VmRHN3FQbmJPMUIzcUpEUmkwSXNNZz09.webp?v=1777242682","url":"https:\/\/booktolia.com\/products\/sensing-justice-through-contemporary-spanish-cinema-aesthetics-politics-law-paperback","provider":"booktolia","version":"1.0","type":"link"}