{"product_id":"reclaiming-female-agency-feminist-art-history-after-postmodernism-paperback","title":"Reclaiming Female Agency: Feminist Art History After Postmodernism - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eNorma Broude\u003c\/b\u003e (Editor), \u003cb\u003eMary D. Garrard\u003c\/b\u003e (Editor), \u003cb\u003eAlison Arieff\u003c\/b\u003e (Contribution by)\u003c\/p\u003e\u003cp\u003eThis volume is the third in an influential series of anthologies by editors Norma Broude and Mary D. Garrard that challenge art history from a feminist perspective. Following their \u003ci\u003eFeminism and Art History: Questioning the Litany \u003c\/i\u003e(1982) and \u003ci\u003eThe Expanding Discourse: Feminism and Art History \u003c\/i\u003e(1992), this new volume identifies female agency as a central theme of recent feminist scholarship. Framed by a lucid and stimulating critical introduction, twenty-three essays on artists and issues from the Renaissance to the present, written in the 1990s and after, offer a nuanced critique of the poststructuralist premises of 1980s feminist art history. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003eContributors: Allison Arieff, Janis Bergman-Carton, Babette Bohn, Norma Broude, Anna C. Chave, Julie Cole, Bridget Elliott, Mary D. Garrard, Sheila ffolliott, Darcy Grimaldo Grigsby, Ruth E. Iskin, Geraldline A. Johnson, Amelia Jones, Maud Lavin, Julie Nicoletta, Carol Ockman, Erica Rand, John B. Ravenal, Lisa Saltzman, Mary D. Sheriff\u003c\/p\u003e\u003ch3\u003eFront Jacket\u003c\/h3\u003e\u003cp\u003eExtremely stimulating and useful. The authors lay out a strategy for future art historians and theorists.--Paula Harper, University of Miami\u003cbr\u003e\u003cbr\u003e\"I found the individual essays fascinating. . . . Broude and Garrard's introduction . . . helped clarify for me the current state of the affairs in feminist art history; their approach is both inspired and inspiring.\"-- Sue Taylor, Associate Professor of Art History, Portland State University\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cb\u003eNorma Broude, \u003c\/b\u003eProfessor of Art History at American University, is author of \u003ci\u003eImpressionism, a Feminist Reading: The Gendering of Art, Science, and Nature in the 19th Century \u003c\/i\u003e(1991), among other books. \u003cb\u003eMary D. Garrard\u003c\/b\u003e is Professor Emerita of Art History at American University and author of \u003ci\u003eArtemisia Gentileschi around 1622: The Shaping and Reshaping of an Artistic Identity \u003c\/i\u003e(California, 2001), among other publications. \u003cb\u003eBroude and Garrard\u003c\/b\u003e are also the editors of \u003ci\u003eThe Power of Feminist Art: The American Movement of the 1970s, Power and Impact \u003c\/i\u003e(1994).\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 486\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 1.2 x 9.2 x 7.5 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e April 25, 2005\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":47457527824637,"sku":"9780520242524","price":105.91,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/3414\/0157\/files\/S21rNEtvZ2p4aDhPdEp4WlJkT2lUQT09.webp?v=1777238079","url":"https:\/\/booktolia.com\/products\/reclaiming-female-agency-feminist-art-history-after-postmodernism-paperback","provider":"booktolia","version":"1.0","type":"link"}