{"product_id":"re-collection-art-new-media-and-social-memory-paperback","title":"Re-collection: Art, New Media, and Social Memory - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eRichard Rinehart\u003c\/b\u003e (Author), \u003cb\u003eJon Ippolito\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003e\u003cb\u003eThe first book on the philosophy and aesthetics of digital preservation examines the challenge posed by new media to our long-term social memory.\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eHow will our increasingly digital civilization persist beyond our lifetimes? Audio and videotapes demagnetize; CDs delaminate; Internet art links to websites that no longer exist; Amiga software doesn't run on iMacs. In\u003ci\u003e Re-collection\u003c\/i\u003e, Richard Rinehart and Jon Ippolito argue that the vulnerability of new media art illustrates a larger crisis for social memory. They describe a \u003ci\u003evariable media \u003c\/i\u003eapproach to rescuing new media, distributed across producers and consumers who can choose appropriate strategies for each endangered work. \u003cp\u003e\u003c\/p\u003eNew media art poses novel preservation and conservation dilemmas. Given the ephemerality of their mediums, software art, installation art, and interactive games may be heading to obsolescence and oblivion.\u003cbr\u003eRinehart and Ippolito, both museum professionals, examine the preservation of new media art from both practical and theoretical perspectives, offering concrete examples that range from Nam June Paik to Danger Mouse. They investigate three threats to twenty-first-century creativity: technology, because much new media art depends on rapidly changing software or hardware; institutions, which may rely on preservation methods developed for older mediums; and law, which complicates access with intellectual property constraints such as copyright and licensing. Technology, institutions, and law, however, can be enlisted as allies rather than enemies of ephemeral artifacts and their preservation. The variable media approach that Rinehart and Ippolito propose asks to what extent works to be preserved might be medium-independent, translatable into new mediums when their original formats are obsolete.\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003eRichard Rinehart is Director of the Samek Art Gallery at Bucknell University. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eJon Ippolito is Associate Professor of New Media and Codirector of the Still Water Lab and Digital Curation Program at the University of Maine.\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 312\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.65 x 9 x 6 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e November 01, 2022\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":47457713619197,"sku":"9780262546683","price":79.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/3414\/0157\/files\/M2szTlB2WnZWNHA3M09yM1BWSVhPZz09.webp?v=1777242904","url":"https:\/\/booktolia.com\/products\/re-collection-art-new-media-and-social-memory-paperback","provider":"booktolia","version":"1.0","type":"link"}