{"product_id":"painting-and-presence-why-paintings-matter-hardcover","title":"Painting and Presence: Why Paintings Matter - Hardcover","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eAnthony Rudd\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003eThis book is concerned with why (or whether) paintings have value: why they might be worth creating and attending to. The author starts from the challenge expressed in Plato's critique of the arts generally, according to which they do not lead us to what is true and good, and may take us away from them. Rudd tries to show that this Platonic Challenge can be answered in its own terms: that painting is good because it does lead us to truth. What paintings can give us is a non-discursive \"knowledge by acquaintance\" in which the essence of the painting's subject-matter is made present to the viewer. Rudd traces this understanding of painting as ontologically revelatory from the theology of the Byzantine Icon to classical Chinese appreciations of landscape painting, to the work of Merleau-Ponty and other Phenomenologists inspired by European Modernist art. He argues that this account of painting as disclosing the essences of things can also take up what is right about expressive and\u003cbr\u003eformalist theories of painting; and that it can apply as much to abstract as to representational painting. But to disclose the reality of things can only be of value if the reality disclosed is itself of value; and in the concluding part of the book, Rudd argues that the value of painting can only be properly understood in the context of a wider metaphysics or theology in which value is understood, not as a human projection, but as a basic characteristic of reality as such.\u003cbr\u003e\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003cbr\u003eAnthony Rudd, \u003cem\u003eAssociate Professor of Philosophy, St. Olaf College\u003c\/em\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eDr Anthony Rudd studied Philosophy as an undergraduate at Cambridge and took his PhD at the University of Bristol (1998). He was a Lecturer in Philosophy at the University of Hertfordshire, 1999-2001, and since 2001 has taught in the United States at St. Olaf College, Minnesota. He is the author of \u003cem\u003eKierkegaard and the Limits of the Ethical\u003c\/em\u003e (1993); \u003cem\u003eExpressing the World: Skepticism, Wittgenstein and Heidegger\u003c\/em\u003e (2003); and \u003cem\u003eSelf, Value and Narrative: a Kierkegaardian Approach\u003c\/em\u003e (2012).\u003cbr\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 256\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 1 x 8.9 x 6.4 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e November 18, 2022\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":47459131195645,"sku":"9780192856289","price":178.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/3414\/0157\/files\/Z0RUMG0wVERnVml4STB6WU05VnRpUT09.webp?v=1777253056","url":"https:\/\/booktolia.com\/products\/painting-and-presence-why-paintings-matter-hardcover","provider":"booktolia","version":"1.0","type":"link"}