{"product_id":"national-camera-photography-and-mexicos-image-environment-paperback","title":"National Camera: Photography and Mexico's Image Environment - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eRoberto Tejada\u003c\/b\u003e (Author)\u003c\/p\u003e\u003cp\u003eIn \u003ci\u003eNational Camera\u003c\/i\u003e, Roberto Tejada offers a comprehensive study of Mexican photography from the early twentieth century to today, demonstrating how images have shaped identities in Mexico, the United States, and in the borderlands where the two nations and cultures intersect-a place Tejada calls the shared image environment. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e The \"problem\" of photography in Mexico, Tejada shows, reveals cross-cultural episodes that are rife with contradictions, especially in the complex terms of cultural and sexual difference. Analyzing such topics as territory, sexuality, and social and ethnic relations in image making, Tejada delves into the work of key figures including Manuel Alvarez Bravo, Edward Weston, Tina Modotti, Marius de Zayas, and Julien Levy, as well as the Agustín Víctor Casasola Archive, the Boystown photographs, and contemporary Mexican and Latina photo-based artists. \u003cp\u003e\u003c\/p\u003e From the Mexican Revolution of 1910-1920 to the U.S.-Mexico borderlands of today, Tejada traces the connective thread that photography has provided between Mexican and U.S. American intellectual and cultural production and, in doing so, defines both nations.\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003eRoberto Tejada is an art historian, curator, and associate professor of art and media history, theory, and criticism in the Visual Arts Department at the University of California, San Diego. A widely published poet and literary translator, he is the author of \u003ci\u003eMirrors for Gold\u003c\/i\u003e, as well as the founder and coeditor of \u003ci\u003eMandorla: New Writing from the Americas\u003c\/i\u003e. His monograph on the artist Celia Álvarez Muñoz for the series \u003ci\u003eA Ver: Revisioning Art History\u003c\/i\u003e is also with the University of Minnesota Press.\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 256\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.7 x 9.8 x 6.9 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e March 01, 2009\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":47457505050877,"sku":"9780816660827","price":56.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/3414\/0157\/files\/V0d2K3A5d0VrVmJVdTRWNitVOFM0UT09.webp?v=1777237962","url":"https:\/\/booktolia.com\/products\/national-camera-photography-and-mexicos-image-environment-paperback","provider":"booktolia","version":"1.0","type":"link"}