{"product_id":"mapping-modernisms-art-indigeneity-colonialism-paperback","title":"Mapping Modernisms: Art, Indigeneity, Colonialism - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eElizabeth Harney\u003c\/b\u003e (Editor), \u003cb\u003eRuth B. Phillips\u003c\/b\u003e (Editor)\u003c\/p\u003e\u003cp\u003e\u003ci\u003eMapping Modernisms\u003c\/i\u003e brings together scholars working around the world to address the modern arts produced by indigenous and colonized artists. Expanding the contours of modernity and its visual products, the contributors illustrate how these artists engaged with ideas of Primitivism through visual forms and philosophical ideas. Although often overlooked in the literature on global modernisms, artists, artworks, and art patrons moved within and across national and imperial borders, carrying, appropriating, or translating objects, images, and ideas. These itineraries made up the dense networks of modern life, contributing to the crafting of modern subjectivities and of local, transnationally inflected modernisms. Addressing the silence on indigeneity in established narratives of modernism, the contributors decenter art history's traditional Western orientation and prompt a re-evaluation of canonical understandings of twentieth-century art history. \u003ci\u003eMapping Modernisms\u003c\/i\u003e is the first book in Modernist Exchanges, a multivolume project dedicated to rewriting the history of modernism and modernist art to include artists, theorists, art forms, and movements from around the world. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e Contributors. Bill Anthes, Peter Brunt, Karen Duffek, Erin Haney, Elizabeth Harney, Heather Igloliorte, Sandra Klopper, Ian McLean, Anitra Nettleton, Chika Okeke-Agulu, Ruth B. Phillips, W. Jackson Rushing III, Damian Skinner, Nicholas Thomas, Norman Vorano \u003cbr\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003eElizabeth Harney is Associate Professor of Art History at the University of Toronto and author of \u003ci\u003eIn Senghor's Shadow: Art, Politics, and the Avant-Garde in Senegal, 1960-1995\u003c\/i\u003e, also published by Duke University Press, and \u003ci\u003eEthiopian Passages: Contemporary Art from the Diaspora\u003c\/i\u003e. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e Ruth B. Phillips is Professor of Art History at Carleton University and author of several books, including \u003ci\u003eMuseum Pieces: Toward the Indigenization of Canadian Museums\u003c\/i\u003e and \u003ci\u003eTrading Identities: The Souvenir in Native North American Art from the Northeast, 1700-1900\u003c\/i\u003e.\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 456\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 1.1 x 9 x 6 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eIllustrated:\u003c\/strong\u003e Yes\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e January 11, 2019\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":47457520124157,"sku":"9780822368717","price":71.73,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/3414\/0157\/files\/Um5SOVVhbXY2bkdzQVlDTGhVV25mQT09.webp?v=1777238039","url":"https:\/\/booktolia.com\/products\/mapping-modernisms-art-indigeneity-colonialism-paperback","provider":"booktolia","version":"1.0","type":"link"}