{"product_id":"art-history-after-deleuze-and-guattari-paperback","title":"Art History After Deleuze and Guattari - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eSjoerd Van Tuinen\u003c\/b\u003e (Editor), \u003cb\u003eStephen Zepke\u003c\/b\u003e (Editor)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eThough Gilles Deleuze and Felix Guattari were not strictly art historians, they reinvigorated ontological and formal approaches to art, and simultaneously borrowed art historical concepts for their own philosophical work. They were dedicated modernists, inspired by the German school of expressionist art historians such as Riegl, Wölfflin, and Worringer and the great modernist art critics such as Rosenberg, Steinberg, Greenberg, and Fried. The work of Deleuze and Guattari on mannerism and Baroque art has led to new approaches to these artistic periods, and their radical transdisciplinarity has influenced contemporary art like no other philosophy before it. Their work therefore raises important methodological questions on the differences and relations among philosophy, artistic practice, and art history. In Art History after Deleuze and Guattari international scholars from all three fields explore what a 'Deleuzo-Guattarian art history' could be today.\u003c\/p\u003e\u003cp\u003eContributors\u003cbr\u003eÉric Alliez (Kingston University, Université Paris VIII), Claudia Blümle (Humboldt Universität zu Berlin), Jean-Claude Bonne (École des Hautes Études en Sciences Sociales), Ann-Cathrin Drews (Humboldt Universität zu Berlin), James Elkins (School of the Art Institute of Chicago), Sascha Freyberg (Max Planck Institute for the History of Science), Antoine l'Heureux (independent researcher), Vlad Ionescu (Hasselt University), Juan Fernando Mejía Mosquera (Pontificia Universidad Javeriana), Gustavo Chirolla Ospina (Pontificia Universidad Javeriana), Bertrand Prévost (Université Bordeaux Montaigne), Elisabeth von Samsonow (Akademie für bildende Künste Wien), Sjoerd van Tuinen (Erasmus University Rotterdam), Kamini Vellodi (Edinburgh College of Art), Stephen Zepke (independent researcher)\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003eSjoerd van Tuinen is assistant professor of philosophy at Erasmus University Rotterdam, where he is also Director of the Centre for Art and Philosophy and Co-Founder of the Erasmus Institute for Public Knowledge. Stephen Zepke is an independent researcher living in Vienna. He is the author of \u003ci\u003eSublime Art\u003c\/i\u003e: \u003ci\u003e Towards an Aesthetics of the Future\u003c\/i\u003e (2017) and\u003ci\u003e Art as Abstract Machine\u003c\/i\u003e: \u003ci\u003eOntology and Aesthetics in Deleuze and Guattari\u003c\/i\u003e (2005). He is the co-editor (with Simon O'Sullivan) of\u003ci\u003e Deleuze, Guattari and the Production of the New\u003c\/i\u003e (2008) and\u003ci\u003e Deleuze and Contemporary Art\u003c\/i\u003e (2010).\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 334\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.59 x 9.21 x 6.14 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e January 15, 2018\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":47457852391677,"sku":"9789462701151","price":141.91,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/3414\/0157\/files\/VGw1RGg4cXY1VW9qazBqa1ZrSGQvQT09.webp?v=1777248556","url":"https:\/\/booktolia.com\/products\/art-history-after-deleuze-and-guattari-paperback","provider":"booktolia","version":"1.0","type":"link"}