{"product_id":"a-companion-to-public-art-paperback","title":"A Companion to Public Art - Paperback","description":"\u003cdiv\u003e\u003cp style=\"text-align: right;\"\u003e\u003ca href=\"https:\/\/reportcopyrightinfringement.com\/\" target=\"_blank\" rel=\"nofollow\"\u003e\u003cb\u003eReport copyright infringement\u003c\/b\u003e\u003c\/a\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cp\u003eby \u003cb\u003eCher Krause Knight\u003c\/b\u003e (Editor), \u003cb\u003eHarriet F. Senie\u003c\/b\u003e (Editor), \u003cb\u003eDana Arnold\u003c\/b\u003e (Editor)\u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003ci\u003eA Companion to Public Art\u003c\/i\u003e is the only scholarly volume to examine the main issues, theories, and practices of public art on a comprehensive scale.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eEdited by two distinguished scholars with contributions from art historians, critics, curators, and art administrators, as well as artists themselves\u003c\/li\u003e \u003cli\u003eIncludes 19 essays in four sections: tradition, site, audience, and critical frameworks\u003c\/li\u003e \u003cli\u003eCovers important topics in the field, including valorizing victims, public art in urban landscapes and on university campuses, the role of digital technologies, jury selection committees, and the intersection of public art and mass media\u003c\/li\u003e \u003cli\u003eContains \"artist's philosophy\" essays, which address larger questions about an artist's body of work and the field of public art, by Julian Bonder, eteam (Hajoe Moderegger and Franziska Lamprecht), John Craig Freeman, Antony Gormley, Suzanne Lacy, Caleb Neelon, Tatzu Nishi, Greg Sholette, and Alan Sonfist.\u003c\/li\u003e \u003c\/ul\u003e\u003ch3\u003eBack Jacket\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eA Companion to Public Art\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003e\u003ci\u003eA Companion to Public Art\u003c\/i\u003e is the only scholarly volume to examine the main issues, theories, and practices of public art on a comprehensive scale. Edited by Cher Krause Knight and Harriet F. Senie, two distinguished scholars in this burgeoning field, it brings together established and emergent scholars ranging from art and architectural historians, critics, public art curators and art administrators, as well as artists. \u003c\/p\u003e\u003cp\u003eWith 19 essays in four sections--tradition, site, audience, and critical frameworks--the \u003ci\u003eCompanion\u003c\/i\u003e assesses public art as it is taught, thought about, and talked about within the field, and how it is conceived in the public and popular imagination. The essays discuss important topics including valorizing victims, public art in urban landscapes and on university campuses, the role of digital technologies, jury selection committees, time and memory, patronage, and the intersection of public art and mass media. In addition to perspectives from scholars and professionals in the discipline, it contains contributions by artists. These \"artist's philosophy\" essays address larger questions about an artist's body of work and the field of public art, by Julian Bonder, eteam (Hajoe Moderegger and Franziska Lamprecht), John Craig Freeman, Antony Gormley, Suzanne Lacy, Caleb Neelon, Tatzu Nishi, Greg Sholette, and Alan Sonfist. \u003c\/p\u003e\u003cp\u003eAuthoritative and indispensible, this guide is essential reading for anyone involved in the teaching, creating, commissioning, and contemplating of public art.\u003c\/p\u003e\u003ch3\u003eAuthor Biography\u003c\/h3\u003e\u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cb\u003eCher Krause Knight\u003c\/b\u003e is Professor of Art History at Emerson College, USA. She is the author of \u003ci\u003ePower and Paradise in Walt Disney's World\u003c\/i\u003e (2014; paperback 2019); and \u003ci\u003ePublic Art: Theory, Practice and Populism\u003c\/i\u003e (Blackwell, 2008). With Harriet F. Senie she also co-edited and contributed to \u003ci\u003eMuseums and Public Art?\u003c\/i\u003e (2018). Together, Knight and Senie co-founded Public Art Dialogue, an international professional organization devoted to providing an interdisciplinary critical forum for the field. They also co-founded and co-edited the journal \u003ci\u003ePublic Art Dialogue, \u003c\/i\u003e the first peer-reviewed journal devoted specifically to public art. \u003c\/p\u003e\u003cp\u003e\u003cb\u003eHarriet F. Senie\u003c\/b\u003e is Professor of Art History and Director of the M.A. program in Art History and the Art Museum Studies track at City University, New York, USA. She also teaches at the CUNY Graduate Center. She is the author of \u003ci\u003eMemorials to Shattered Myths: Vietnam to 9\/11\u003c\/i\u003e (2015); \u003ci\u003eDangerous Precedent? The 'Tilted Arc' Controversy\u003c\/i\u003e (2001); and \u003ci\u003eContemporary Public Sculpture: Tradition, Transformation, and Controversy\u003c\/i\u003e (1992). With Cher Krause Knight she co-edited and contributed to \u003ci\u003eMuseums and Public Art?\u003c\/i\u003e (2018), and with Sally Webster, \u003ci\u003eCritical Issues in Public Art: Content, Context, and Controversy\u003c\/i\u003e (1992; revised edition 1998).\u003c\/p\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eNumber of Pages:\u003c\/strong\u003e 512\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003eDimensions:\u003c\/strong\u003e 0.9 x 9.5 x 6.6 IN\u003c\/div\u003e\n            \u003cdiv\u003e\n\u003cstrong\u003ePublication Date:\u003c\/strong\u003e March 24, 2020\u003c\/div\u003e\n            ","brand":"BooksCloud","offers":[{"title":"Default Title","offer_id":47457068974333,"sku":"9781119190806","price":97.65,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0817\/3414\/0157\/files\/ZlVnRFNXV3YwK1lEQnpxYmNtTml2QT09.webp?v=1777234073","url":"https:\/\/booktolia.com\/products\/a-companion-to-public-art-paperback","provider":"booktolia","version":"1.0","type":"link"}